JOHN UPDIKE

(1932-2009)

BACKGROUND

  • small town (Shillington, PA)
  • only child
  • father = junior-high math teacher
  • mother = writer, ambitious
  • schooling:
    • 8 y.o. = wrote first short story
    • honor student
    • editor of school paper
    • president of senior class
    • Harvard University (mother’s choice – thought it made good writers)
  • 1954 =
    • editor of school paper (The Lampoon editor, writer, artist)
    • graduates Harvard (summa cum laude)
    • sold 1st short story to the New Yorker
    • year fellowship studying art in England
      • (graphic artist, cartoonist = unrealized goal)
  • 1955 =
    • staff writer @ New Yorker
      • 1950s-1960s: established his reputation as a writer of short fiction here
      • 1950s-death = regular contributor
      • poems, essays, sketches, short stories, & reviews
      • dubbed The Brilliant Young Writer
        • Did he fulfill this early promise?
  • 1957 =
    • left New Yorker
    • moved to Ipswich, Mass
    • became independent writer
  • 1958 =
    • 1st book The Carpentered Hen (poetry collection)
  • 1959 =
    • 1st novel Poorhouse Fair
    • 1st short story collection The Same Door

BACKGROUND

  • became one of the most American writers in modern American literature
    • novels, articles, reviews, opera libretto,
    • play, memoirs (1980’s Self-Consciousness)
  • 1963 =
    • critical success w/ Centaur
    • highly allusive, symbolic novel
    • National Book Award
  • 1968 =
    • 1st widespread recognition, commercial success/popularity, infamy (?) w/ Couples
      • salacious novel
      • compulsive adulteries
  • 1978 =
    • Olinger stories
      • fictitious Pennsylvania town
      • similar to Shillington
  • “Rabbit novels”
    • Rabbit Run (1960)
    • Rabbit Redux (1971)
    • Rabbit Is Rich (1981)
    • Rabbit at Rest (1990)
  • The Witches of Eastwick (1984)
  • S (1988) = rework of Scarlet Letter

 

THEMES

  • UPDIKE’S AMERICA:
    • mundane world
    • of middle-class, lower-class materialism
    • land of sterile, empty, trivial lives
    • centered on TV, movies, fan mags for riff-raff
    • brand-name America
    • whose inhabitants are sunk in installment buying
    • whose stomachs are bloated w/franchised food
    • whose minds are dulled by soap operas & trashy newspapers
    • characters =
      • searching for spirituality & religious meaning in life
    • BUT
      • find love = trap, deceit
      • happiness = brief
      • life = dull
        • (McMichael)
           

THEMES

 

 

STYLE

  • “To transcribe middleness with all its grit, bumps, and anonymities, in its fullness of satisfaction and mystery”
    • (Updike, memoir, The Dogwood Tree)
  • one’s spirit takes on its coloration from the material circumstances (houses, clothes, landscape, food, parents) one is bounded by
    • (Norton)


     

 STYLE

  • (+)
    • elegant prose
    • balanced, rhythmic sentences
    • concern w/ “business of memory”
    • explorations of private feelings
    • portrays America in all its ugliness BUT still the best
  • (-)
    • strains for elegance
    • suffused w/nostalgia
    • mired in childhood
    • characters = predictably autobiographical
    • puzzled young man
    • devoted by dim girlfriend
    • strong older woman w/ misplaced enthusiasms
      • (McMichael)

LINKS LINKS