·
What are you writing about?
·
Choose a subject or a category (baseball)
that interests you, perhaps a hobby, recreation, or special talent you
have. A subject is a large umbrella under which many topics
reside. As such, it is too broad for a 300-500-word essay and must
be broken down into several topics.
·
Then narrow your focus within that
subject until you locate a topic on which you can write a focused and
detailed essay (Major League Baseball's new
steroid policy).
·
If you have more information than
can fit into a 3-4-page essay, then your topic is still too broad.
Also, if you find yourself glossing over material without specifics or
details, then your topic remains too broad.
·
A focused and narrowed topic can be
discussed fully, fairly, and descriptively within the confines of a
relatively short essay.
·
What are you going to say about
your topic?
·
What is your purpose? What
is your point?
·
What are going to prove? What
message do you want to convey?
·
Now that you have a narrowed topic
and a clear idea concerning what you are going to say about that topic,
you can formulate a clear expression of your argument. A thesis
statement is a strong declarative sentence that combines #1 & #2 with
the support to prove the main idea. In a word, a thesis is a
proposal of what you intend to prove in your essay.
·
The formula for a proper thesis
statement is as follows:
TOPIC +
MAIN IDEA + SUPPORT
·
The new Major League Baseball steroid policy (topic)
marks a step in the right direction for sports (main
idea) because of its clarity, its
severity, and its fairness (support).
·
One of several prewriting
techniques is called "brainstorming."
·
In this process, you set a time
limit--something brief, say 2 minutes-- and brainstorm ideas on your
topic as they come to you.
·
To start, glance at the clock or
your watch and mark the time. Give yourself 2-5 minutes, depending
on the length of your assignment.
·
During this time, list as many
ideas about your thesis as you can, but do not edit for spelling,
punctuation, or worth. Write down words, phrases, fragments, whole
clauses. Even if an idea is silly and one you will immediately
eliminate, put it down on the paper, for the goal is to have something
tangible you edit, rearrange, and expand upon.
·
To read more on brainstorming, follow this
link.
·
Next, take your brainstorming list and begin to edit it for content.
·
First, cross out all ideas
on your list that do NOT support your thesis.
·
If an idea is interesting but does not support your
dominant impression, moral, or main idea, you must omit it. Either
change your main idea or support the one you have chosen.
·
Take the previous list and circle
the best 3-5 ideas (depending on the essay's length) on your list that
support your thesis.
·
Choose those ideas that best support your thesis--those that will help
you persuade, convince, or illustrate.
·
After you select the 3 best ideas,
organize them into a logical order
·
You can order them in terms of
interest or importance.
·
The "EMPHATIC
ORDER" suggests ordering your ideas from least to most
important. In other words, save the best for last. Analogy:
When you go to a concert, you do not want to hear the best song first,
for the rest of the show would be a bummer! However, if the band
slowly builds momentum, each song better than the previous one, and then
finishes with the best song, wow, what a show!
·
So, remember:
SAVE THE BEST FOR LAST.
·
An essay will have three main
parts: the Introduction, the Body, and the Conclusion.
·
The purpose of an outline is
to organize your essay in regard to its three main parts. Yet, an
essay outline need not be too detailed; as long as you include the main
ideas, the means of support, and some detail, yours will be a successful
outline.
·
For instance, place your
generalization and
thesis statement under the
Introduction. Under the Body, place your support--in the proper
order--and some details. Under the Conclusion, list your main
ideas as well as a possible clincher sentence.
·
To read more on outlining, follow this
link.
·
Take the information from your brainstorming and outline and freewrite.
·
Freewriting is a timed prewriting technique that bridges the gap between
the outline stages and the essay stages.
·
For a 3-page paper, give yourself 5 minutes of writing time. Write
in sentence-form as opposed to word- or phrase-form--this will look like
an essay rather than a list. Beyond that, though, do not worry
about spelling or punctuation or sentence structure--simply get
sentences down on the page.
·
At the end of the 2 minutes, review what you have written, edit some
ideas, omit others, and add still others.
·
To read more on freewriting, follow this
link.
·
Often, the freewriting exercise leaves you with one very long
paragraph--which is fine because you were not concerned with paragraph
during that stage. Now you how the raw material to work with in
the next phases of the writing process.
·
With your freewriting work nearby, begin to write an introductory
paragraph.
·
The purpose of an Introduction is to create interest and to set up the
direction of the essay: you want to "introduce" the topic to the
reader.
·
To start,
then, grab the
reader's attention with a generalization, quote, quip, rhetorical
question, or statistic regarding your topic.
·
Then, moving
towards your thesis statement, slowly narrow your field until your reach
you, your topic, and your main idea concerning the topic. This deductive
reasoning process can be illustrated as an inverted pyramid or as a
funnel.
·
The introductory paragraph should conclude with a strong, clear thesis
statement that details what topic you are writing about, what you will
say regarding that topic, and how you will prove or support your
position. The formula is as follows: topic + main idea +
support.
·
To read more on writing introductory
paragraphs, follow this link.
·
With the thesis statement as your jumping off point, you next move to
the Body of the essay; this is the crux of your assignment. Let me
phrase as it a ratio from your SAT exams: the Introduction is to
the movie preview as the Body is to the movie.
·
In the Body, you will support your thesis with ample
evidence, proof, examples, description, detail.
·
Each Body paragraph will focus on a SINGLE reason, detail, aspect,
feature, type, or characteristic.
·
Properly organize this support.
·
Evidence can be arranged spatially
or chronologically, in the emphatic order, or by the point-by-point
method or subject-by-subject method.
·
The Conclusion is quite similar to
the Introduction, but please do not merely cut and paste the
Introduction--rephrase and refer to it. For example, if you began
the essay with a hypothetical situation, refer to it again in the
Conclusion. In essence, bring the reader full-circle.
·
Reiterate your thesis and recapitulate
the main
ideas covered in the Body.
·
In order to let the reader know the essay has come to an end, finish
the essay with a clincher sentence: a strong final sentence to the signal end,
to wrap it
all up, to leave reader with point to ponder. For instance, if you
wrote an essay extolling the virtues of your favorite musician, it would
seem appropriate to end with a remark that embodies your eagerness for
his or her next concert or next compact disc or your plan to listen to
her or his disc on your drive home.
·
To read more on writing conclusions, follow
this link.
14)
Proofread: TOUCH ALL THE "BASES"
·
The "Four Bases" of writing include
unity, coherence, support, and sentence skills. Proofread your
rough drafts in terms of these.
o UNITY:
all ideas support your thesis, nothing not on topic, nothing
irrelevant, no tangents
o COHERENCE:
logical flow/structure of ideas (like the pan of a video camera), transitions
(transitional expressions, conjunctive adverbs, like links in a
chain)
o SUPPORT:
3-legged table; relevant, unambiguous examples, details,
descriptions, anecdotes, types
o SENTENCE SKILLS:
grammar (s-v/pronoun agreement), punctuation, fragment/RO/CS, word
choice, mechanics (spelling, capitalization)
·
"THE ON-DECK
CIRCLE" and "THE DUGOUT": Before you even get up to
home plate, you better have a clear understanding of the assignment--ask
the teacher, ask a classmate, ask a tutor, read the textbook. So, when
you step into the ON-DECK CIRCLE
before you do any writing AND when you return to the
DUGOUT after you
have written a rough draft, you should have a firm grip on the T.O.E.--the
type of essay you are writing.
To ensure this, ask yourself the following questions during the
prewriting stage:
-
What are the requirements my instructor gave me?
-
Exactly what is the instructor asking of me in the assignment?
-
How does my proposed topic measure up to those requirements?
-
What are the characteristics of the particular rhetorical strategy I
am exploring?
Then, ask yourself these questions during the proofreading stage:
-
How does my essay measure up to the requirements the instructor gave
me?
-
Have I fulfilled the requirements the instructor gave me?
-
Does my essay reflect the traits of the given rhetorical strategy?
-
How can I amend my essay to meet these standards or conditions?
For example, if you are writing an Illustration essay, make sure you
have included specific, unambiguous, and relevant examples to support
your thesis and that you have emphatically organized these examples,
saving the most dynamic or interesting for last.
·
To read more on proofreading, follow this
link.
15)
PROOFREADING TECHNIQUES:
·
To proofread
for sentence errors, here are some tips:
·
"The
WORKSHEET": hit the "enter" button after each period and
number each sentence so the essay now resembles a worksheet.
·
"The PEEP HOLE": use a blank sheet of paper to isolate
each sentence and
read the essay line by line (as if you
are looking at the sentence through a peep hole).
·
"The
CRAB": **read the last
sentence of the essay first and work your way backwards through the
essay; this is a preferred and proven method to isolate each
"sentence" and a way not to become distracted by the meaning of the
essay. Hamlet: "...I
hold it not honesty to have it thus set down,
for /
yourself, sir, shall grow old as I am, if like a crab / you could go
backward"
(Act II, scene ii).
16) Proofread: CHECK
YOUR SPELLING
·
Please realize that the red squiggly lines under certain words are not
Bill Gates' way of adding color to your essay; instead, they are
warnings that you have possibly misspelled word.
·
To be sure of the correct spelling, consult a dictionary--a hard copy or
an online version, such as
http://www.dictionary.com.
·
Also, use the computer’s spellchecker
with a dictionary!
·
Despite the convenience of these
programs, they are not flawless, so please realize the limits of
spellcheckers; follow this
link
for more detail on this subject.
17) Proofread:
CORRECT YOUR DICTION
·
The rules of FORMAL ACADEMIC WRITING differ from those of
ordinary speech, text-messaging, e-mailing, fiction writing, or
journalism; therefore, you must obey the edicts of not only proper
grammar and mechanics, but also those of writing etiquette--specifically
diction, or word choice.
·
Choose concrete and descriptive words (vivid adjectives, adverbs, verbs
or similes and metaphors).
·
Capitalize "I" and spell out "you
are" or "your."
·
NO contractions (not "can't"
but "cannot").
·
NO abbreviations (not "CD"
but "compact disc").
·
NO slang words, clichés, pat
expressions, vulgarities.
·
NO “you”
-
only in the
PROCESS ESSAY should you directly address the reader
-
remain consistent in
your POINT of VIEW
-
since you are writing
about your experiences and opinions, stay in FIRST PERSON
POINT of VIEW--"I, me, my, mine"
18)
Proofread:
TRANSITIONS
·
To build coherence, begin to make connections between ideas and
sentences.
·
Consult the list of transitions above by following this
link.
·
List conjunctive adverbs (thus,
therefore, furthermore) and transitional expressions (for
example/instance, on the other hand, on the contrary).
·
These transitions will link
sentences as well as paragraphs.
19) REWRITE & PROOFREAD:
AGAIN and AGAIN
·
Correct the errors in grammar,
spelling, punctuation, diction, organization.
·
Proofread after each draft; go
through the entire process again.
·
Have someone else,
such as a TUTOR or
PEER EDITOR, read your essay.
·
Put it away for awhile and then come back
to it with fresh eyes.
·
After several drafts, submit
a polished final
draft.
20) REWRITE
AFTER GRADING:
·
When your instructor
returns to you your graded essay, note the comments s/he made regarding
rhetorical, stylistic, grammatical, and mechanical errors.
·
Ask her or him for clarification on any points you may not fully
understand.
·
Go over the essay with the instructor and/or a tutor.
·
Consult your grammar handbook: read the rules and complete the
exercises on the topics mentioned by the instructor.
·
Finally, implement the suggested changes. Even if you are not
allowed to rewrite and resubmit the essay for a higher grade, you will
still learn from your mistakes, you will improve your writing aptitude,
and you will increase your chances of receiving progressively better
grades on the subsequent essays.
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